Text by Alison Colman on Andy Deck’s Screening Circle, as he explores the theme of collaborative creativity, through the metaphor of the quilting bee.

Text by Mark Tribe, commenting on the work of Young-Hae Chang Heavy Industries and their commission for Tate, The Art of Sleep

Matthew Fuller explores the emergence of Net Art.

Text by Johan Pijnappel on the latest net art piece from Shilpa Gupta, blessed-bandwidth.net in which she uses the medium to reflect on and intervene in activities and issues affecting global society.

Text by Matthew Fuller on Graham Harwood’s butchering of Tate's website

Sadie Plant introduces work by Gustav Metzger, Ultra-red and Heath Bunting. Reviewing art and its social context.

Daniel Coffeen discusses Marc Lafia's and Fang-Yu Lin's The Battle of Algiers and the new context of non-linear cinema.

Text by Paul Bonaventura examining the role fiction has played in Susan Collins’s work.

Josephine Berry discusses the emergence of Net Art.

Text by Bénédicte Ramade on the work of Qubo Gas exploring themes of hybridization, ambidexterity, calligraphy, adventure and landscape.

Charlie Gere explores the relationship between Net Art and the cultural institutions.

Helen Thorington explores new contexts for sound and radio practice. An introduction to Radio Art works by Christof Migone and Sarah Washington.

Florian Schneider discusses Heath Bunting's, BorderXing Guide as an art project embodying a carefully calculated politics of public relations.

Text by Lev Manovich on Golan Levin’s ‘social data browser’ The Dumpster in which he (with Kamal Nigam and Jonathan Feinberg) manipulates portraiture, documentary, and new-media genres such as visualisation and database art.

Text by Charlie Gere, in response to Net Art commission, Noplace by Marek Walczak and Martin Wattenberg

Matthew Fuller comments on the work Le Match des couleurs by Simon Patterson, as an example of his ongoing Color Match series.

X-Mission is a piece of video research on the extra-territorial status of Palestinian camps and the refugees who inhabit them.

Archaeologist, Michael Shanks, discusses public space and the world wide web as theatres of encounter