Christof Migone is a multidisciplinary artist and writer. His work and research delves into language, voice, bodies, psychopathology, performance, video, intimacy, complicity, endurance. He co-edited the book and CD Writing Aloud: The Sonics of Language (Los Angeles: Errant Bodies Press, 2001) and his writings have been published in Aural Cultures, S:ON, Experimental Sound & Radio, Musicworks, Radio Rethink, Semiotext(e), Angelaki, etc. He obtained an MFA from NSCAD in 1996 and is currently a PhD (ABD) candidate at the Department of Performance Studies at the TischSchool of the Arts of New York University. He has released six solo audio cds on various labels (Avatar, ND, Alien 8, Locust, Oral). He has curated a number of events in the sound and radio arts: Touch that Dial (1990), Radio Contortions (1991), Rappel (1994), Double Site (1998), stuttermouthface (2002). He has performed at Beyond Music Sound Festival (Los Angeles), kaaistudios (Brussels), Resonance FM (London), Nouvelles Scènes (Dijon), On the Air (Innsbruck), Ménagerie de Verre (Paris), Experimental Intermedia (NYC), Méduse (Québec), Victoriaville Festival, and in Montreal at Radio Canada, Quinzaine de la Voix, Musiques Fragiles, Galerie Oboro, Casa del Popolo, Thé‰tre La Chapelle, etc. His installations have been exhibited at the BanffCenter, Rotterdam Film Festival, Gallery 101, Art Lab, eyelevelgallery, Forest City Gallery, Studio 5 Beekman. He has collaborated with Lynda Gaudreau, Martin Tétreault, Tammy Forsythe, Alexandre St-Onge, Michel F. Côté, Gregory Whitehead, Set Fire To Flames, and Fly Pan Am. A monograph on his work, Christof Migone - Sound Voice Perform, was published in 2005. He currently lives in Montréal and teaches at ConcordiaUniversity.
A four-part Radio Art series by Christof Migone in which the artist translates Samuel Beckett’s wordless movement piece Quad, foregrounding incidental matter and the sonic by-products of visceral debris.