Le Match des couleurs 2000
"This is a piece of work that literally sees-though the miserable grind of the 'transparent office'. In such a context, anything
unresolved is awkward, unpredictable, improper in atria. In the context of the gallery, and in this case the web site of the
Tate however, the work is coolly not looking for any kind of sense of the synthetic, it simply aims to be there."
Matthew Fuller, 2000
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