Further Information

If you enjoyed this introduction to Barbara Reise and would like to do some further research of your own, see her list of published writings below:

Main articles in co-edited special issues of Studio International

'Untitled 1969: A Footnote on Art and Minimalstylehood', Studio International. April 1969, pp. 166-72 Letters to the editor, Studio International, June 1969, p. 256 and July/Aug 1969, pp 4,5 'The Stance of Barnett Newman', Studio International, February 1970, pp. 49-63 Letters to the editor, Studio International, March 1970, p.90 and May 1970, p.198 'Carel Visser's "At Each Other" 1966-68' and 'Ger Van Elk's "The Return of Pierre Bonnard, 1917-1971"', Studio International, May 1974, pp. 255, 266 '"Incredible" Belgium: Impressions', Studio International, October 1974, pp. 117-123 'The "Belgian Issue"', Studio International, May/June 1975, pp. 245-247

Feature articles and special editing of features

'Benni Efrat: New Work', Studio International, Sept. 1969, pp.84-86 'Sol LeWitt Drawings 1968-1969', Studio International, December 1969, pp.222-225 Letters to the editor, Studio International, March 1970, pp. 89-90 Edited 'Gurgles Around the Guggenheim', Studio International, June 1971, pp. 246-250 Edited 10-page section on decision-making in museums concerned with contemporary art, Studio International, July/Aug. 1971, pp. 30-39. Included: 'A Tail of Two Exhibitions: The Aborted Haacke and Robert Morris Shows', 'Background to the Foreground: The Haacke Exhibition History'. 'Which is in fact what happened: Thomas M. Messer in an interview with Barbara Reise, 25 April, 1971' 'Presenting Gilbert & George, the Living Sculptors', Art News (NYC), Nov. 1971, pp.62-3, 91-2. (Correct original text published in German in their book Oh, The Grand Old Duke of York, Luzern Kunstmuseum, Spring 1972.) 'Art et Language (verbal)', Chroniques de l'Art Vivant (Paris), April 1972, pp.4-6 'Notes(1) on Jan Dibbets's(2) Contemporary(3) Nature(4) of Realistic(5) Classicism(6) in the Dutch(7) Tradition(8), Studio International, June 1972, pp. 248-55, also DATA (Milan), Summer 1973 'Jan Dibbets: A Perspective Correction', Art News (NYC), June 1972, pp.38-40 'Robert Ryman: Unfinished, I (Materials)', Studio International, Feb. 1974, pp. 76-80 'Robert Ryman: Unfinished, II (Procedures)', Studio International, March 1974, pp. 122-126 'Robert Ryman: Unfinished, III (Position)', DATA (Milan), Spring 1974 'The Broodthaers Museum Gambit', Art in America (NYC), May/June 1975, pp. 52-53 'Who, What is "Sigmar Polke"', 'I: The Question' and 'II...Particular to Polke', Studio International, July/Aug 1976, pp. 83-86; 'III...and "His Work"', Studio International, Sept/Oct 1976, pp. 207-210; 'IV...Answered?', Studio International, Jan/Feb 1977, pp. 38-40

Short Articles and Reviews

'Paintings and Sculpture by Magritte at Hanover from June 9', Studio International, June 1968, p. 318 'Isaac Witkin at Waddington Gallery, 5-26 September', Studio International, Oct. 1968 'Tony Shafrezi at Tabernacle Street', Studio International, July/Aug 1969, p. 30 'LeWitt and Colour', Sol LeWitt, The Hague, Gemeentemuseum, summer 1970 'Two Exhibitions in Retrospect(*): Hamish Fulton in the Stedelijk Museum, Amsterdam; Patrick Caulfield Prints', Studio International, Dec. 1973, pp. 226-7 'Amsterdam: Robert Ryman at the Stedelijk Museum', Art in America (NYC), July/August 1974, p.91 'The Imagery of Marcel Broodthaers', Catalogue/Catalogus, Brussels, Palais des Beaux-Arts, 27 Sept.-3 Nov. 1974 'Berne: On Kawara at the Kunsthalle', Art in America (NYC), Jan./Feb. 1975, p. 90 'Introduction', Jan Dibbets catalogue of touring exhibition, Arts Council of Great Britain, 1977 'Einstein on the Beach', Spectator, 13 Nov. 1976, p. 26

Writings on Art Writing and Publications

'Greenberg and The Group: A Retrospective View', Studio International, Part I, May 1968, pp. 254-257; Part II, June 1968, pp. 314-316 'Friendly Biography', a review of Barbara Hepworth by A.M. Hammacher, Studio International, July/August 1968, p. 56 Review of Lloyd Goodrich's Three Centuries of American Art, Art & Artists (London), July 1968 'The Other Americans', review of Art of the Kwakiuti Indians and Other Northwest Coast Tribes by Audrey Hawthorn, Studio International, November 1968, p. 220 'The Gentle Art of Publishing', review of A History of Mexican Mural Painting by Antonio Rodriguez, Illustrators/Jos Amman's Kunstbuechlin and Art Now: New York, Studio International, November 1969, pp. 186, 188 'If a Picture's Worth 1,000 Words, is a 500-Word Poem Worth Half a Lecture? Which Half? (For David Lamelas)', Publication by David Lamelas, Greenwood Inc., (London), 1970 'Chance Meeting', review of Dada and Surrealist Art by William Rubin and Surrealist Art by Sarane Alexandrian, Studio International, November 1970, pp. 214-215 'Heroic Americans', review of Abstract Expressionism: The Triumph of American Painting by Irving Sandler, and The New York School: Abstract Expressionism in the 40s and 50s (Maurice Tuchman ed.), Studio International, March 1971, pp. 137-38 'Long Change', review of Changing, Essays in Art Criticism by Lucy R. Lippard, Studio International, March 1972, pp. 131-32 'Bolona, 76: Encuentro Internacional de Revistas de Arte', Artes Visuales (Mexico City) July/Sept. 1976, pp. 22-23 'An Open Memo to the Arts Council for a Potential Policy of Support for Arts Magazines on a Basis Other than Giving Lollipop-Grants to "Lame Ducks"', Studio International, Sept./Oct. 1976, pp. 187-190